Some rather sad and shocking news this morning as famed director Mike Nichols has died at the age of 83. The man behind classics like The Graduate and Who's Afraid of Virgina Woolf died suddenly on Wednesday. Hitfix is hearing that the cause of death was cardiac arrest, but that has not been confirmed by anyone close to the story at this point. His passing was announced by ABC News President James Goldston. In a short statement, Goldston said "He was a true visionary, winning the highest honors in the arts for his work as a director, writer, producer and comic and was one of a tiny few to win the EGOT- an Emmy, a Grammy, an Oscar and a Tony in his life time. No one was more passionate about his craft than Mike....Mike and Diane were married for 26 years. He leaves behind three children- Daisy, Max and Jenny- and four wonderful grandchildren.....The family will hold a small, private service this week, and a memorial will be held at a later date." This quote came from Deadline Hollywood, who was one of the first outlets to report the story.
Nichols was married to Diane Sawyer and was also one of the most esteemed theater directors of all time. His last film came in 2007 in the form of Charlie Wilson's War, which was nominated for one Oscar. He also directed Angels in America, Biloxi Blues and Working Girl over the course of his career. Nichols really was an incredible talent. I remember how stunned I was the first time I saw The Graduate, and it still is one of my favorite films. Nichols did a lot to advance both the medium of film and the art of theater, and he will be sorely missed.
Sources: Deadline, Hitfix Image Credits: LA Times, Blogspot
Interstellar was one of the most anticipated films of 2014, and it did not disappoint. Not everybody loved it, but it has incited fierce debate between film fans. I've seen the film three times now, and I believe that it's a masterpiece. A fantastic balancing act between genuine human emotion, dizzying spectacle and breathtaking twists, Nolan hit another one out of the park in one of his best movies yet. I love it when I don't fully understand a film the first time around. The first time I saw Interstellar, I didn't get it all. I missed some pretty obvious stuff because I was so amazed by what I was seeing. My two subsequent viewings have solidified my opinions and I'm ready to discuss every facet of this movie. Let's delve into spoilers for Christopher Nolan's Interstellar.
Warning: If you have not seen Interstellar, turn back now. SPOILERS WILL FOLLOW
Let's first break down the exact plot of this film and then dwell on a few certain aspects. The Earth is dying. Wheat is gone, okra is about to die and all that's left is corn. Cooper (Matthew McConaughey) is a farmer and one of the few educated men left on Earth. He lives on a farm with his two kids and their grandfather (John Lithgow). He has a special bond with his gifted daughter Murph (Mackenzie Foy). One day, a gravitational anomaly in Murph's bedroom leads Cooper to discover a series of coordinates that lead him to a mysterious location. When he gets there, he's detained by the monolithic robot TARS (Bill Irwin) and then led by Dr. Amelia Brand (Anne Hathaway) to a room where all is explained by Professor Brand (Michael Caine). The professor reveals that Cooper has stumbled upon the underground headquarters of NASA.
According to Professor Brand, the Earth is dying and NASA is prepping for an interstellar journey to the farthest reaches of space. NASA already sent twelve astronauts to the other galaxy to find a home on the Lazarus missions a few years back. The astronauts were sent through a wormhole that leads to another galaxy with habitable worlds. The wormhole was placed by "they" (otherworldly beings, future humans, aliens) out near Saturn. The astronauts, led by Dr. Mann (played by none other than Matt Damon), were told to sent out a signal if their world was habitable. Professor Brand needs Cooper for this mission (Coop flew for NASA before becoming a farmer). Cooper is hesitant to leave his family and is curious about the plan to get people off the planet. That's where Plan A and Plan B come into play.
Plan A is the ideal plan. The one where the people on Earth get saved. While Cooper finds a new Earth, Professor Brand and others will work on a gravity equation that will solve the problem of gravity and find a way to send people to space on a giant space station (a detail that is easy to miss). That's Plan A. The other plan is just to find a world to live on and start a colony using the resources on the Endurance spaceship and the incubated eggs on board. In the end, Cooper decides to leave his children and save the human race. His parting with his daughter is rough, but he has to leave no matter what.
Cooper, Amelia, Romilly (David Gyasi), and Doyle (Wes Bentley) are blasted into space with TARS and CASE (voiced by Josh Stewart). They spend time in hypersleep before they arrive and travel through the wormhole. When they're in the wormhole, Amelia seemingly has contact with "they" during a handshake that distorts space time. They arrive on the other side of the wormhole and find themselves with a dilemma. The first planet is Dr. Miller's world, which is very promising. She's still sending out a signal and appears to be in good shape. However, her world is close to Gargantua, a nearby black hole. The black hole makes time go faster and one hour on Miller's planet is seven years on Earth (the theory of relativity). In the end, despite a lot of hesitation, they visit Miller's planet. Cooper takes the shuttle down and lets Romilly stay just far enough out of orbit to work on the gravity equation.
Cooper, Brand and Doyle visit Miller's planet. It's all shallow water and large crashing waves. Turns out that Miller's planet is a death trap. Miller's dead and her satellite and shuttle is wrecked. Brand gets stuck in some wreckage, but is rescued by CASE. They rush back to the ship before the next wave crashes down but Doyle doesn't get back in time and gets killed. The wave waterlogs the ship and Cooper and Brand are forced to spend another hour on Miller's planet. Eventually they head back to the Endurance. When they get there, they realize that they've been gone for 23 years. Romilly has been alone for 23 years and all of the people on Earth are 23 years older. Thanks, relativity!
Cooper goes and looks at his messages and sees that his kids are all grown up. His son Tom (Casey Affleck) has two kids and a wife and his daughter (Jessica Chastain) is grown up as well. Turns out that Murph is now working with Professor Brand to solve the gravity equation and find a way to make plan A work. Back on the shuttle, the crew faces a dilemma: go to Dr. Mann's planet or go to Dr. Edmonds' planet? In the end, they choose Mann's planet because he's still transmitting and because Amelia is in love with Edmonds and Cooper feels that her love compromises the mission.
When they get to Mann's ice planet, they find Dr. Mann (Damon) and start preparing to set up camp. However, back on Earth, Professor Brand dies and reveals on his deathbed that plan A was a sham to motivate people. He solved the equation years ago and just didn't have the data needed to finish the job. Cooper and Amelia get this transmission and Mann knows all about this. He claims that it was an ingenious plan to motivate people to fight for the greater good. Cooper can't take the lying anymore and decides to go home. However, Romilly gets him to take one last crack at the gravity equation by sending TARS into the black hole, where he could possibly get the quantum data needed to solve the equation. The astronauts head off to different places on the ice planet to set up satellites to communicate the quantum data should TARS find it and relay it back to them in the black hole.
Cooper and Mann go off on the planet and start talking. Turns out that Mann is one evil dude. He beats up Cooper, cracks his mask and leaves him to die. Mann faked all of his data just so someone could rescue him. There's no chance for life on this planet. Mann goes off to the shuttle to leave. Romilly dies trying to recover data from one of Mann's machines, which was rigged to self-destruct. Brand rescues Cooper and they head off to stop Mann from docking his ship on the Endurance. Mann ends up depressurizing something and he dies in a massive explosion and part of the Endurance blows up. Cooper docks the Endurance while the ship is spinning in an amazing sequence. After that, they decide to slingshot around Gargantua and send Brand to Dr. Edmonds' planet and send Cooper and TARS into the Black Hole.
Cooper and TARS fall into the Black Hole. Cooper's ship is decimated and he then ejects out. He then falls into the Tesseract, somewhere in the fifth dimension of time. Cooper then realizes that he was the ghost causing the gravitational anomalies in Murph's room, sending books off of shelves and writing messages in Morse code and Binary. Cooper realizes that he was affecting the past from the present. He led himself to NASA and he led himself to this moment. It was all destiny. TARS reappears and tells him that he has the quantum data. At the same time, we see that Murph has also realized that her dad was her ghost. Cooper sends her the data in Morse on a watch that he gave her before he left. She gets the message and solves the equation. The fifth dimensional tesseract begins closing, which is when Cooper has his final revelation that the Tesseract, black hole and Wormhole were all created by future humans with a superior knowledge of five-dimensional physics. The Tesseract closes and Cooper is rescued just outside of Saturn.
Cooper wakes up on Cooper Station, the giant space station just outside of Saturn. He's 124 when he reunites with his dying daughter, who tells him to go find Brand. Edmonds planet ended up being habitable and a colony was set up. Cooper blasts off to find Brand and start the human race anew.
Phew. That was a lot to break down. Every detail of that summary is important and this is one of the most dense films I've ever seen. Let's break down some questions, theories and other ramblings I had about specific things in this movie.
-Wormhole vs. Black Hole
Interstellar deals with some very weighty science, but it also deals with some really cool theoretical stuff that we've never seen on film before. The basic premise of this movie is that Cooper and a select group of NASA's finest will travel through a wormhole to another galaxy to find a new home for Earth. The wormhole was placed there by "they", a group of beings that we kinda learn more about later in the film. When Cooper and the astronauts finally reach the wormhole, Romilly explains Cooper how a wormhole works using a simple diagram. He describes the wormhole as having the ability to bend space and time to create a portal between two places. They go through the wormhole and one really interesting thing happens, which I'll talk about later.
On the other side of the wormhole is another galaxy of planets and a black hole. The black hole is different from the wormhole. It's very easy to get the two confused and I'm not sure I completely got this the first time, but I get it now and that's all that matters. The black hole is known as Gargantua and has a strong gravitational pull and orbit. But where does the black hole lead? It's pretty clear where the worm hole leads. It's a quick short cut between two galaxies. I've always seemed to understand that a black hole was a naturally occurring phenomenon that essentially leads to nowhere. However, Cooper actually gets inside the black hole and then finds a way out of it. I know what's inside the black hole, but where does it lead and how different is it from a wormhole? Was the black hole actually constructed by fifth-dimensional beings with a superior sense of space-time or was it a natural occurrence? Those questions remain unanswered.
-Relativity One of the coolest aspects of this film for me was the way that Nolan depicted relativity. From what I understand, Einstein's Theory of Relativity means that time is relative and can go faster and slower depending on the gravitational orbit. Relativity is depicted many times in this film, most shockingly when Cooper, Brand and Doyle go to the water planet. Cooper and Brand return (Doyle is murdered by a wave) and Romilly is 23 years older. It's a chilling and haunting scene and it's made all the more frightening by the fact that we only spent a few minutes on the water planet. I loved how Nolan worked with this theory to do something that we hadn't seen before.
-Inside the Black Hole
Cooper goes inside a black hole at the end of this movie. If you think about it outside of the context of this film, it's a really gutsy move because there was no way to truly tell what was going to be in that black hole. When Cooper gets in the black hole, he finds the Tesseract, essentially the fifth dimension of time and space. Inside the Tesseract, he finds all of the memories from inside his daughter's bedroom. The memories haunt Cooper and he starts getting mad, punching the bookshelf and knocking books off. All of a sudden, Cooper realizes that he was the ghost that Murph thought she had as a kid.
This is when the movie gets really wacky. First off, is it actually possible for there to be something inside a black hole. I always assumed that black holes were just emptiness. Nonetheless, when TARS shows back up, he tells Cooper something very interesting: "They didn't send us here to change the past." Cooper replies by saying: "They didn't send us here at all. We brought ourselves." My interpretation of this is that "they" only set the path, humans finished it. Cooper is the one who sent the coordinates of NASA, he's the one who sent the Morse code back to his daughter and he's the one who saved the world. It goes back to the theme that humans can achieve anything.
-Who are "They"?
Wormholes are not naturally occurring. That is revealed early in the film and Professor Brand says that it was placed there by "they." Who is they? Why did they place the wormhole there? Are they trying to save us? All of these questions remain unanswered until the final act, when Cooper finds himself inside the Tesseract. There isn't a lot of ambiguity about who "they" are, but their motives are mysterious.
As the Tesseract closes, Cooper realizes that "they" are incredibly advanced future humans with a superior knowledge of five-dimensional physics. They aren't aliens. They're humans. And they're trying to help the humans of the 21st century. They placed the wormhole out near Saturn so that we could get to the galaxy.
What the future humans did with the black hole is a little more ambiguous. When in the black hole, Cooper finds himself in the fifth dimension of time. For the future humans, time is a physical dimension. As TARS describes, the humans have constructed the three-dimensional space to help Cooper understand their five-dimensional world. Somehow the future humans have harnessed the ability to explore black holes and construct spaces in them. Here's my theory as to how that happened.
Using the quantum data that TARS and Cooper get in the black hole, Murph is able to solve the gravity equation and transport a space station to Saturn. What other data did TARS acquire inside the black hole? Could the black hole data have contributed to the future humans immense knowledge of five-dimensional physics? That's my guess.
-The Gravity Equation
A large portion of the plot centers around the gravity equation, a mathematical system constructed by Brand. Solving the gravity equation will allow them to massively transport people to space. But according Mann, the equation couldn't work because of a lack of quantum data. Later in the film, Cooper and TARS get the data in the black hole, relay it back to Murph and then send a huge space station to space. What did solving the gravity equation do? And why was the data needed inside a black hole?
I feel like this is just something you have to go with, unless you have a really strong grasp on theoretical physics. Nolan probably could have explained what was going on with this a little bit better, but I think that it would have made the film feel like a science lesson, which he certainly didn't want to happen.
-The Future of the Human Race
At the end of the film, Cooper wakes up on Cooper Station, a massive space station just outside Saturn. It's obvious that Murph has saved the human race and that the space station is in a safe location. But is that it? Are they just gonna hang there or is there a way to get the station through the wormhole? It's clear that Cooper is heading to the colony to be with Brand, but what about the others? That question is left unanswered.
-"The Tesseract is Closing"
Once Cooper has relayed the necessary information back to Murph, the Tesseract begins to collapse. Cooper finds himself flying along in space and he makes a very interesting connection. Earlier in the film, Brand appears to make a connection with the otherworldly beings. Turns out that was just Cooper's hand sticking in the wormhole. Cooper then finds himself floating outside of Saturn in a very 2001-esque moment. He is then rescued by two rangers.
This scene is quite bizarre. It's one of the more ambiguous moments during the film. My interpretation is that because the five-dimensional beings had constructed the Tesseract for the purpose of saving the human race, they also rigged it to send him back. After the Tesseract collapsed, Cooper was ejected from the black hole, moved through the wormhole, made contact with Brand and then arrived outside of Saturn. I'm not sure that this all logically works within the continuity of the film, but it's my interpretation of it. We'll see if Nolan ever comes out with a full explanation for this scene.
That's my analysis for Interstellar. I'm sure that this movie will incite lots of discussion in the future and it's a film that will be remembered for a long time. It's a very complex film and you will miss several obvious details on your initial viewing because of the sheer amount of information being thrown at you. However, Interstellar is an experience like no other and it's a unique and brave film that is dealing with amazingly fresh topics. Not to mention that it is exciting and perfectly executed. After three viewings, I understand almost everything that this film has to offer and I can't wait to watch it again and unpack it as a pure piece of amazing entertainment.
Image Credits: Hollywood Reporter, Mashable, Huffington Post, Hollywood Reporter, Movie Review World, Huffington Post, New York Post, Wordpress, Hollywood Reporter, Huffington Post, NY Daily News, Hollywood Reporter , Hollywood Reporter
It was the calm before the Hunger Games storm this weekend at the box office, but that didn't stop people from going out to the movies. With three top-tier releases in theaters, people flocked to theaters. Universal's Dumb and Dumber To led the pack with a strong $38 million, which is quite an impressive debut. I was really low on the film, since I had already seen it and knew that it wasn't very good. However, the lesson here is that we should never underestimate comedies. There hasn't been a mainstream comedy in a very long time, so people dashed to see the sequel to the 1994 hit. But that doesn't mean people liked what they saw. The film received a "B-" Cinemascore, which means that this movie will fizzle rather quickly. Nonetheless, this was the best opening ever for The Farrelly Brothers and a very strong outing for Jim Carrey. As long as this film had a relatively low budget, it should be alright.
Disney's Big Hero 6 finished in second place this weekend, falling only 36% and pulling in another $36 million. The animated hit has now grossed $111.6 million, which is very impressive. It's pacing ahead of both Wreck-It Ralph and Tangled at this point. All in all, this film should make as much as $200 million and will be one of the biggest hits of the season.
Interstellar also had a fantastic hold, grabbing $29.1 million in third place. The divisive space opera fell only 39% this weekend, which is very impressive. This film has generated a lot of discussion and I'm not surprised to see that it held well. So far, Interstellar has grossed $97.8 million domestically and its worldwide total is over $230 million. That's fantastic for an original sci-fi film. Look for Interstellar to keep going strong throughout the rest of the month.
The other new wide release this weekend was Relativity's musical drama Beyond the Lights. The film snagged $6.5 million in just under 1,800 theaters. Not awful, but I'm sure the studio had hoped for better. However, the film received an "A" Cinemascore, which indicates stellar word of mouth. This film should finish with around $20 million. Gone Girl finished in fifth place with $4.6 million. The dark psychological thriller is nearing the end of its run and has made $152.6 million so far. Pretty spectacular for a violent adult drama.
In sixth place was St. Vincent with $4 million. The light family dramedy has made $33.2 million thus far, which is very good. The Bill Murray-starred film has connected with audiences and will probably finish with around $45 million. Fury finished in seventh place this weekend with $3.8 million. The violent war dram has now made $75.9 million domestically and is currently sitting at a worldwide total of $127.4 million. With a $68 million budget, not to mention marketing and distribution, this film may have a hard time breaking even.
Nightcrawler landed in eighth place with $3 million this weekend. The low-budget psychological thriller has now grossed $25 million, which is very good considering the film cost only $8.5 million to make. Nightcrawler should end its run with about $30 million. Ouija plummeted 49% to ninth place and made $3 million. The horror film has now made $48.1 million. And finally, Birdman rounded out the top ten with $2.4 million. The Oscar favorite has now made $11.5 million.
In the limited release world, Rosewater led the pack with $1.2 million. The Jon Stewart-directed film opened in only 371 theaters and should expand in the coming weeks. Foxcatcher made $288,000 in six theaters, for a per theater average of $48,000. The film will have a very slow rollout over the next few weeks. And finally, Tommy Lee Jones' The Homesman grossed $48,000 in only 4 theaters.
Next weekend sees the release of The Hunger Games: Mockingjay- Part 1. Here are my predictions:
1. The Hunger Games: Mockingjay- Part 1- $150 million
2. Big Hero 6- $26 million
3. Interstellar- $21 million
4. Dumb and Dumber To- $15.7 million
5. Beyond the Lights- $4.9 million
6. Gone Girl- $3.4 million
7. St. Vincent- $3 million
8. Fury- $2.7 million
9. Birdman- $2.5 million
10. Nightcrawler- $1.9 million
Image Credits: Huffington Post, Movie Pilot, Mashable, Flickering Myth
The fall season has had a few big hits so far (Gone Girl, Annabelle, Big Hero 6), but the biggest hits are yet to come. November is a rather light schedule, highlighted by the megahit that will be The Hunger Games: Mockingjay- Part 1. However, December is packed with major films like Unbroken, The Interview, Exodus and The Hobbit: The Battle of the Five Armies. It's an eclectic mix of commercial hits and Oscar favorites. Let's take a look at the second half of the fall box office season.
DUMB AND DUMBER TO- November 14
Opening Weekend Prediction- $25 million
Total Gross Prediction- $70 million
Dumb and Dumber To comes out today and I honestly can't see it doing very well. It's facing off against two word of mouth dynamos in Interstellar and Big Hero 6 and there's seemingly no buzz around the film. Mix that with the poor reviews (27% on Rotten Tomatoes) and there's only a very small chance that this film breaks out.
FOXCATCHER- November 14 (limited)
Opening Weekend Prediction- $500,000
Total Gross Prediction- $25.5 million
Foxcatcher is one of the premiere Oscar players this year, and with a cast that includes Channing Tatum, Mark Ruffalo and a chillingly different Steve Carell, there's a good chance that Foxcatcher will be one of the biggest independent hits of the year. Reviews have been great, but many have discussed how deliberate this film's pacing is. That could be an issue, but with the Oscar buzz and the all-star cast, this film will do just fine.
ROSEWATER- November 14 (limited)
Opening Weekend Prediction- $900,000
Total Gross Prediction- $5 million
If the buzz for Rosewater had been stronger coming out of Telluride, this number might be a lot higher. Reviews were solid, but this seems like a very niche film and it would have needed stronger reviews to break out. It does have the benefit of being directed by comedy superstar Jon Stewart, but I doubt that this will make more that $5 million.
BEYOND THE LIGHTS- November 14
Opening Weekend Prediction- $8 million
Total Gross Prediction- $28 million
Beyond the Lights is the kind of film that doesn't usually make a lot of money, but I think that this one has a chance. The reviews are stellar (86% on Rotten Tomatoes) and there's very little competition for this film in the marketplace. It could end up being a minor hit in a season of major extravaganzas.
THE HOMESMAN- November 14 (limited)
Opening Weekend Prediction- $100,000
Total Gross Prediction- $6 million
This western is led by an all-star cast including Tommy Lee Jones, Hillary Swank, John Lithgow, Meryl Streep and Tim Blake Nelson, and is directed by Jones himself. That kind of star power will certainly get the film somewhere. I don't see this being a big hit, and it could get drowned out by other Oscar season power players, but I feel like there's still a place for this film in the market.
THE HUNGER GAMES: MOCKINGJAY- PART 1- November 21
Opening Weekend Prediction- $145 million
Total Gross Prediction- $390 million
The Hunger Games is one of the most consistent franchises in Hollywood, but I'm thinking that this one will end up making a little bit less than the other films in the series. Anyone who has read the book version of Mockingjay knows that the first half is incredibly tedious and I'm certain that the producers are packing this film with superficial action for the sole purpose of making this film longer. Early reviews have been solid, but not spectacular. This will undoubtedly be a major hit. Just not as huge as the other two films in the series.
HORRIBLE BOSSES 2- November 26
Five-Day Opening Weekend Prediction- $43 million
Total Gross Prediction- $105 million
The first Horrible Bosses was a big hit and with a dearth of R-rated comedies in the marketplace, Horrible Bosses 2 should make quite a bit of money as well. The trailers have been appealing and the all-star cast has only grown with the addition of Chris Pine and Christoph Waltz. This will be a very solid hit over Thanksgiving weekend.
THE PENGUINS OF MADAGASCAR- November 26
Five-Day Opening Weekend Prediction- $70 million
Total Gross Prediction- $150 million
The Madagascar franchise still makes bank for Dreamworks after all these years and The Penguins of Madagascar will be very important for the studio. The animation house is coming off a string of misfires and they need a big hit to come back. This film could be it, but I don't see it making over $150 million.
THE IMITATION GAME- November 28 (limited)
Opening Weekend Prediction- $400,000
Total Gross Prediction- $50 million
The Imitation Game is one of the most accessible Oscar favorites, so I'm betting on a total of at least $50 million. With superstar Benedict Cumberbatch in the lead role and a lot of buzz surrounding this film, there's a good chance that this breaks out. There is quite a bit of dark subject matter in this film according to many critics, but I still think that this film will be a pretty solid hit.
THE PYRAMID- December 5
Opening Weekend Prediction- $7 million
Total Gross Prediction- $17 million
There really isn't much to say about this film. It's a low budget horror film set in Egypt that will likely disappear quickly. It does look kinda creepy, but not creepy enough to break out during this extremely crowded season. It is one of the only horror films of the season, but it looks simply too low-budget to survive the torrent of Oscar movies.
WILD- December 5 (limited)
Opening Weekend Prediction- $300,000
Total Gross Prediction- $15 million
Wild is the latest film from Dallas Buyers Club director Jean-Marc Vallee with Reese Witherspoon in the lead role. Dallas Buyers Club made around $27 million, and with significantly less buzz surrounding Wild, I doubt that this will break out. Not to mention that the film looks flat-out depressing. Witherspoon will undoubtedly get a lot of attention for her portrayal of the recovering drug/sex addict who walks 1,000 miles, but this film still is not going to make more than $15 million.
EXODUS: GODS AND KINGS- December 12
Opening Weekend Prediction- $45 million
Total Gross Prediction- $160 million
Exodus: Gods and Kings is in an extremely tough position. It looks like a fantastic movie, and it has a terrific cast that includes Christian Bale, Joel Edgerton, Sigourney Weaver, Aaron Paul and Ben Kingsley. Yet it is coming out at a very difficult time. The final installment of The Hobbit franchise opens only five days later and that might make things tough for Exodus. Awards buzz would be very helpful for the film, but I'm not sure it will come. Exodus will still be a hit, but the question of "How big?" will depend on many different factors.
TOP FIVE- December 12
Opening Weekend Prediction- $15 million Total Gross Prediction- $55 million
Top Five came out of nowhere at Tiff and was scooped up by Paramount for about $12.5 million. With stellar reviews and an all-star cast, it's now being thrust into a holiday season packed with much bigger films. However, there is still a lot of promise for Top Five. The cast is highlighted by Chris Rock, Rosario Dawson, Cedric the Entertainer, Kevin Hart and many other superstars. Rock also directed the film, which could bring in some fans. All in all, this could end up being a huge Christmas season breakout hit.
INHERENT VICE- December 12 (limited), January 9 (wide)
Opening Weekend Prediction- $400,000
Total Gross Prediction- $35 million
Inherent Vice had one of the best trailers in recent memory and it's great cast features Joaquin Phoenix, Reese Witherspoon, Josh Brolin and Benecio del Toro. Not to mention that it was directed by indie superstar Paul Thomas Anderson. However, early reviews have highlighted the oddball nature of the film, and most seem to think that its tone will be off-putting for the audience. A prediction of $35 million is pretty reasonable at this point.
THE HOBBIT: THE BATTLE OF THE FIVE ARMIES- December 17
Five-Day Opening Weekend Prediction- $120 million
Total Gross Prediction- $310 million
The Hobbit franchise has received a lot of hate over the last few years, mostly for the fact that it really shouldn't be a franchise at all. Yet each and every time, people show up and pay to see the new Hobbit film. The final installment in the franchise will be no different. In the end, this will most likely be the highest grossing film in the series.
MR. TURNER- December 19 (limited)
Opening Weekend Prediction- $150,000
Total Gross Prediction- $7.5 million
For a while, Timothy Spall was one of the front-runners for Best Actor for his performance in this film. Now, that buzz has kind of slipped away. If Sony Pictures Classics can find a way to thrust Spall and Mr. Turner back into the race, maybe this film makes over $10 million. But Sony Classics has bigger Oscar contenders (Foxcatcher and Whiplash) and this film will likely be drowned out by the tons of other Oscar films.
ANNIE- December 19
Opening Weekend Prediction- $26.5 million
Total Gross Prediction- $90 million
This film actually doesn't look egregiously awful. I think that it could be a lot of fun and the cast, which includes Jamie Foxx, Quvenshane Wallis, Rose Byrne and Cameron Diaz, is fantastic. Not to mention the fact that the marketing campaign got started very early this year. I'm low-balling this projection because of the competition, but the sky is the limit for this one.
NIGHT AT THE MUSEUM: SECRET OF THE TOMB- December 19
Opening Weekend Prediction- $35 million
Total Gross Prediction- $115 million
Now this is a film that looks awful. The trailer was so incredibly atrocious and so frighteningly terrible that I can't even imagine watching this film. However, this franchise is powerful and I'm betting that this film manages to pull in at least $100 million. Not to mention that this is one of the final film roles for beloved comedian Robin Williams. All in all, Fox should have a hit with this one.
THE GAMBLER- December 19 (limited)
Opening Weekend Prediction- $200,000
Total Gross Prediction- $40 million
This all-star crime drama looks very good, but has an uphill battle in front of it. First off, the reviews coming out of AFI Fest were solid, yet unspectacular. The film is currently hovering at 50% on Rotten Tomatoes and 58 on Metacritic. Granted, it's early, but that's still not good. Secondly, this is not an art house film, but it's getting a limited release in December and then going wide in January. Will it thrive in December? Probably not. It might pick up steam in January, but I doubt it.
AMERICAN SNIPER- December 25 (limited), January 16 (wide)
Four-Day Opening Weekend Prediction- $300,000
Total Gross Prediction- $50 million
This dark, violent war drama will likely perform on par with most of director Clint Eastwood's recent efforts. American Sniper had a great first trailer and early reviews were mostly positive, but not glowing (63 on Metacritic and 86% on Rotten Tomatoes). However, this is a darker character study than say, Lone Survivor, so I doubt that it will make too much money.
BIG EYES- December 25 (limited)
Four-Day Opening Weekend Prediction- $200,000
Total Gross Prediction- $35 million
Like American Sniper and The Gambler, Big Eyes also premiered at this week's AFI Fest in Hollywood. Early reviews were mixed, with the film hanging at 67% on RT and 61 on Metacritic. Not bad scores, but not nearly good enough to find a way into this tough Oscar race. As for the film's commercial prospects, they're good. Amy Adams and Christoph Waltz are stars and Burton brings in crowds. Yet I just don't see it breaking out.
SELMA- December 25 (limited), January 9 (wide)
Four-Day Opening Weekend Prediction- $600,000
Total Gross Prediction- $140 million
Selma is now the front-runner for Best Picture. Crazy, right? This film barely scraped its way to a premiere on Monday night at the AFI Fest, but it received absolutely glowing reviews. Critics praised the film and it is now one of the top films to beat. That will translate to a lot of success at the box office.
INTO THE WOODS- December 25
Four-Day Opening Weekend Prediction- $45 million
Total Gross Prediction- $120 million
This star-studded fantasy musical drama will likely be one of the go-to picks for families this Christmas. It's a Disney movie, it's got Oscar potential and it's based on some very famous fairy tales. Not to mention the cast that includes Meryl Streep, Emily Blunt, Chris Pine and Johnny Depp. Unless this film is awful (which it could be), there's a good chance it's a hit.
UNBROKEN- December 25
Four-Day Opening Weekend Prediction- $36 million
Total Gross Prediction- $150 million
This is one of the few remaining Oscar question marks, but it is certainly going to be a major box office hit. It's directed by Angelina Jolie and has a solid cast, yet the film's biggest draw is that it's based off an incredibly popular book. Everybody I know seems to love this book and that will bring a lot of people in to see this movie.
THE INTERVIEW- December 25
Four-Day Opening Weekend Prediction- $40 million
Total Gross Prediction- $110 million
James Franco and Seth Rogen have been on a roll lately, and their latest premise is just too good to pass up. A film about going to North Korea to kill Kim Jong-Un sounds like so much fun and that will bring in a lot of people over the holiday weekend. It won't be as big as Neighbors, but this will be a sizable hit.
A MOST VIOLENT YEAR- December 31 (limited)
Opening Weekend Prediction- $250,000
Total Gross Prediction- $27 million
Neither of director JC Chandor's previous films broke out at the box office, but A Most Violent Year could be different. The film stars Jessica Chastain and Oscar Isaac and is a sprawling crime drama set in New York City. That should translate to some box office success, especially if the well-reviewed film starts getting more Oscar buzz.
That's it for my fall box office predictions. It's shaping up to be a great season for movies.
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It seems that almost everyone in Hollywood has been in a Marvel movie so far and Marvel is adding another fantastic actor to the mix. Rush and Inglourious Basterds star Daniel Bruhl is joining the cast of Captain America: Civil War. The news was announced by Marvel yesterday afternoon. Marvel gave no other details on the story beyond a quote from studio head Kevin Feige, who said that "With Daniel's ability to deliver intense, nuanced performances, we knew that we had found yet another great actor to share the screen with some of our biggest heroes." Marvel broke the news before Latino Review's El Mayimbe and The Wrap's Jeff Sneider could break the story. However, Mayimbe and Sneider both delivered some more interesting details.
Sneider was one of the first people to tweet about the casting, and in his tweet, he reported that Bruhl was playing a villain in the film. In his article over at The Wrap, Sneider also reported that Bruhl may have signed on for more than one film. According to Sneider's sources, Bruhl could be playing the main villain in Doctor Strange, which would be big. Many people then asked Mayimbe who Bruhl was playing in the film, which he replied to be tweeting "BARON MORDO!!!"
I'm not familiar with Baron Mordo, but I'm very excited about this casting. Rush was one of my favorite films of 2013, and Bruhl gives a terrific performance in that film. He's also very good in Inglourious Basterds, one of my favorite films. It's safe to say that Bruhl is one of my favorite young actors and I'm very happy that he's taking his talents to Marvel. Captain America: Civil War is being directed by Joe and Anthony Russo and stars Chris Evans, Robert Downey Jr., Chadwick Boseman and Daniel Bruhl. It will hit theaters on May 6, 2016.
Disney Animation has been on a roll lately, churning out hits like Tangled and Wreck-It Ralph before producing one massive, game-changing blockbuster in Frozen. Disney is now the premiere animation studio in Hollywood once again, and it looks like they have another hit on their hands with Big Hero 6. Quality-wise, Big Hero 6 is a slight step back for the studio. It's a fun film and it's a film that's easy to love, but it's predictable and flawed. The relationship between the central characters is strong, yet I expected to love it much more than I did. Disney will undoubtedly get a franchise out of Big Hero 6 and I can only hope that they realize the strengths (emotion) and weaknesses (story) of this film.
Hiro (Ryan Potter) is a budding young scientist with a lot of potential, who really only wants to do robot fighting. However, when his brother Tadashi (Daniel Henney), brings him to the glorious and incredible "Nerd School", Hiro immediately finds a new passion in life. But after a terrible tragedy and the emergence of a new supervillain in town, Hiro must team up with four other scientist friends (TJ Miller, Damon Wayans Jr., Genesis Rodriguez and Jamie Chung) to save the world. Hiro's strongest bond ends up being with the cuddly and cute robot Baymax (Scott Adsit) who helps him overcome tragedies and learn to let go.
Big Hero 6 is an endlessly cute film, with a lot of surprisingly mature themes and fun action. So I've had trouble trying to figure out why I felt let down by this movie. Maybe it was the lackluster and tedious first act. Maybe it was the forgettable supporting characters. Maybe it was the predictable plot and even more obvious twist. In the end, I think it was a combination of all of those things. However, despite the movie's shortcomings, Big Hero 6 is enjoyable thanks to emotion injected into every scene and the awesomeness that is Baymax. He's one of my favorite movie characters of the last few years. Big Hero 6 will entertain kids with its Marvel-esque action and funny characters and will probably be enjoyable for adults as well thanks to the relationships. It might be contrived and predictable, but it overcomes that by being a film injected with sadness, passion and joy.
Big Hero 6 starts off well, with an exciting and hilarious robot fight between Hiro and a fat Japanese gangster. Despite that quick start, Big Hero 6 quickly falls off. The first act of this film is surprisingly bland and laborious, dwelling on the "fun" science aspects and the less interesting supporting characters. Hiro's relationship with Tadashi is strong, but Tadashi isn't exactly the most interesting person in the world. All of the supporting superheros are also introduced during this time period and none of them are particularly entertaining, funny or compelling. I definitely liked TJ Miller's Fred the most, but Go-Go, Honey Lemon and Wasabi are kind of uninteresting, one note characters.
The movie comes alive with the arrival of Baymax, the appealing and adorable robot character. Baymax is a weird mix of the Iron Giant and Mary Poppins. He was designed by Tadashi as a healer and was made for the sole purpose of helping others. That is an interesting story device because Hiro is trying to overcome the pain of losing someone close to him (even though it's revealed in the trailers, I won't spoil it here). Baymax helps him to let go and it makes for the sharpest emotional point of the movie.
The animation is also breathtaking and shockingly realistic, undoubtedly some of the best work that Disney has ever done. Every single detail on the characters is fantastic and perfectly articulated. Setting the film in the fictional world of San Fransokyo was a stroke of genius from the filmmakers, allowing them to do a lot of cool stuff with the animation. The action is perfectly constructed as well, although as someone who has experienced countless Marvel extravaganzas, this was really nothing.
The story is another trouble spot for the film, because it is so egregiously predictable. I typically am not bothered by predictability in films, but in Big Hero 6, it was extremely obvious. I give the film credit for throwing a twist in there, yet I figured that out as soon as they began hinting at it. Disney's typically innovative storytelling is truly not present in this film.
The action in the third act will probably appeal to people of all ages, but I think it will be the biggest hit with children who haven't seen the big-scale superhero blockbusters of the past few years. Kids who have already experienced films like The Avengers and Guardians of the Galaxy will likely still enjoy this. Just not as much as those who haven't seen those movies yet. The final act is an appropriate mix of big-scale Marvel action (not surprising since Big Hero 6 was based off a Marvel comic) and down-to-Earth human emotion. It's a fantastic conclusion to an imperfect film.
In the end, Big Hero 6 gets by thanks to its raw and surprising human emotion. Even though it's packed with so-so action and poor storytelling, Big Hero 6 is a film that everyone can relate to thanks to the love and care taken by the filmmakers to craft an affecting film. Days later, I'm still thinking about the film's emotions and I realize now that this is a much deeper film than I initially thought. It's a light achievement, but any film that can find a way to my heart is a film worth watching.
THE FINAL GRADE: B (7.2/10)
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